Friday, June 26, 2009

PHILSTAGE bares first quarter citations for 2009 Gawad Buhay!

PHILSTAGE bares first quarter citations for 2009 Gawad Buhay!

Revivals and restagings dominated the first quarterly citations list of the 2009 Gawad Buhay!, the PHILSTAGE Awards for the Performing Arts.

With fourteen performance and technical citations, Ballet Philippines' Neo Filipino topped the first quarterly race. Coming in as close second with eleven citations, is the Philippine Educational Theater Association' s production of Saan Ba Tayo Ihahatid ng Disyembre?, while Repertory Philippines' A Portrait of the Artist as Filipino received eight citations to claim the third berth. Another revival, Tanghalang Pilipino's ZsaZsa Zaturnah, placed fourth with seven citations.

A dance trilogy that serves as homage to the vast riches of the Filipino cultural heritage, Neo Filipino's Amada, Ulaging – Daog-dog sa Sang Libong Kulog and KatiTaog collectively won citations for outstanding dance production, ensemble performance, female lead performance in dance (Carissa Adea), male lead performance in dance (Biag Gaongen and Ronelson Yadao), featured performance in dance (Marian Faustino and Lucky Vicentino), choreography (Alice Reyes), adaptation or translation (Alice Reyes), musical composition (Kalayo), costume design (Gino Gonzales), lighting design (Katsch Catoy), and set design (Gino Gonzales).

Saan Ba Tayo Ihahatid ng Disyembre?, a psycho-emotional journey into the lives, loves and relationships of three people, earned the jurors' citations for outstanding play production, stage direction (Nonon Padilla), ensemble performance, male lead performance in a play (Lex Marcos, Juliene Mendoza and Jack Yabut), original script (Tony Perez), musical direction (Jed Balsamo), lighting design (Ian Torqueza), sound design (Aries Alcayaga), and set design (Salvador Bernal).

Widely considered as the best Filipino play in English, A Portrait of the Artist as Filipino was cited for outstanding play, stage direction (Jose Mari Avellana), original script (Nick Joaquin), female lead performance in a play (Liesl Batucan and Ana Bitong), featured performance in a play (Dido dela Paz), lighting design (Martin Esteva), and sound design (Lamberto Avellana, Jr.).

ZsaZsa Zaturnah, a hilarious tale of the adventures of a gay beautician-turned- Pinoy superhero, was cited for outstanding musical production, ensemble performance, lead female performance in a musical (Eula Valdes), featured performance in a musicale (Nar Cabico and Joey Paras), musical direction (Vincent De Jesus), and original music composition (Vincent De Jesus).

Also cited for individual achievements are Caissa Borromeo for outstanding female lead performance in a musicale and Kyla Rivera for outstanding featured performance in a musicale, both for Repertory Philippines' I Love You Because.

Now on its second year, Gawad Buhay! is the first-ever industry awards exclusively for the performing arts juried by an independent panel of critics, scholars, artists and theater enthusiasts. Outstanding individual and group achievements in various artistic and technical aspects of play, musical and dance productions and performances are honored based on quarterly citations deliberated by the jury who are required to watch all productions of PHILSTAGE member-companies for the entire year. From the four quarterly citations, the jury will select the final nominees qualified to win the awards by the end of the performance season.

PHILSTAGE is the only alliance of professional performing arts organizations in the Philippines. Its members include Ballet Manila, Ballet Philippines, Organisasyon ng Pilipinong Mang-aawit (OPM), PETA, Repertory Philippines, Tanghalang Pilipino and TRUMPETS.

Below is the complete list of the 2009 first quarter citations in various categories:

Outstanding Production of a Play: PETA's Saan Ba Tayo Ihahatid ng Disyembre? (PETA); and Repertory Philippines' A Portrait of the Artist as Filipino (Repertory Philippines)

Outstanding Musical Production: Tanghalang Pilipino's ZsaZsa Zaturnah

Outstanding Dance Production: Ballet Philippines' Neo Filipino

Outstanding Stage Direction: Nonon Padilla (Saan Ba Tayo Ihahatid ng Disyembre?); and Jose Mari Avellana (Portrait of the Artist as Filipino)

Outstanding Ensemble Performance: The casts of Ballet Philippines' Neo Filipino; PETA's Saan Ba Tayo Ihahatid ng Disyembre?; and Tanghalang Pilipino's ZsaZsa Zaturnah

Outstanding Female Lead Performance in a Play : Liesl Batucan and Ana Bitong (Portrait of the Artist as Filipino)

Outstanding Male Lead Performance in a Play: Lex Marcos, Juliene Mendoza and Jack Yabut (Saan Ba Tayo Ihahatid ng Disyembre?)

Outstanding Featured Performance in a Play: Dido Dela Paz (Portrait of the Artist as Filipino)

Outstanding Female Lead Performance in a Musicale: Caissa Borromeo (Repertory Philippines' I Love You Because); and Eula Valdes (ZsaZsa Zaturnah)

Outstanding Male Lead Performance in a Musicale: No citation

Outstanding Featured Performance in a Musicale : Nar Cabico and Joey Paras (ZsaZsa Zaturnah); and Kyla Rivera (I Love You Because)

Outstanding Female Lead Performance in a Dance Production: Carissa Adea (Neo Filipino)

Outstanding Male Lead Performance in a Dance Production: Biag Gaongen and Ronelson Yadao (Neo Filipino)

Outstanding Featured Performance in a Dance Production: Marian Faustino and Lucky Vicentino (Neo Filipino)

Outstanding Original Script: Nick Joaquin's Portrait of the Artist as Filipino; and Tony Perez's Saan Ba Tayo Ihahatid ng Disyembre?

Outstanding Original Libretto: No citation

Outstanding Original Music Composition: Vincent De Jesus (ZsaZsa Zaturnah)

Outstanding Adaptation or Translation: Alice Reyes (Amada from Neo Filipino)

Outstanding Musical Direction: Jed Balsamo (Saan Ba Tayo Ihahatid ng Disyembre?); and Vincent De Jesus (ZsaZsa Zaturnah)

Outstanding Original Music Composition: Vincent De Jesus (ZsaZsa Zaturnah); and Kalayo (KatiTaog from Neo Filipino)

Outstanding Choreography: Alice Reyes (Amada from Neo Filipino); and Alden Lugnasin (Ulaging from Neo Filipino)

Outstanding Set Design – Salvador Bernal (Saan Ba Tayo Ihahatid ng Disyembre?); Gino Gonzales (KatiTaog from Neo Filipino); and Gino Gonzales (Ulaging from Neo Filipino)

Outstanding Costume Design: Gino Gonzales (Ulaging from Neo Filipino)

Outstanding Lighting Design: Katsch Catoy (Neo Flipino); Martin Esteva (Portrait of the Filipino as an Artist); and Ian Torqueza (Saan Ba Tayo Ihahatid ng Disyembre?)

Outstanding Sound Design: Aries Alcayaga (Saan Ba Tayo Ihahatid ng Disyembre?); and Lamberto Avellana, Jr. (Portrait of the Artist as Filipino)

Wednesday, June 10, 2009

Another 16th INWW Article

Region 8 fellows bag awards in national writers workshop
By Neil D. Lopido

Tacloban City (June 2) -- Two fellows in Eastern Visayas won the Jimmy Balacuit Literary Award in the recently concluded 16th Iligan National Writers Workshop held at the Mindanao State University-Iligan Institute of Technology (MSU-IIT) last May 25-29, 2009.

The two siday writers, who both graduated at the UP Tacloban College, were Harold L. Mercurio, from Calbayog City and Jhonil Bajado, from Maydolong, Eastern Samar.

Mercurio landed second place while Bajado placed third in Poetry Category. Cindy A. Velasquez of the University of San Carlos, Cebu City got the first place of the said literary award. Both Mercurio and Bajado received cash prizes and certificates from MSU-IIT and Jimmy Balacuit Foundation to include free registration, travel allowance, and board and lodging.

It Can be recalled that last year's INWW, three fellows from Eastern Visayas were also awardees of the same Literary Award in Poetry and Fiction. These writers were Leonilo Lopido from Dolores, Eastern Samar and Luciano Abia IV from Basey, Samar (Poetry Category) and Efmer Agustin of Abuyog, Leyte (Fiction).

The Iligan National Writers Workshop is one of the three institutionalized writing workshops in the country spearheaded by Prof. Christine Godinez-Ortega through the Mindanao Creative Writers Group, Inc. and MSU-Iligan Institute of Technology funded by the National Commission for Culture and the Arts (NCCA).

Ralph Semino Galan, one of the famous writers and alumnus of the INWW, was invited to give the keynote address to the 16th INWW.

Manuscripts were evaluated by Bro. Karl Gaspar, CSsR, C. Godinez-Ortega, Arlene Yandug, Ed P. Ortega, German Gervacio, Steve Fernandez and Zola Gonzalez Macarambon.

The panelists of this year's workshop were Ma. Rosario Cruz Lucero (UP Diliman), Jaime An Lim (FEU), Merlie M. Alunan (UP Tacloban), Victor N. Sugbo (UP Tacloban), Leoncio P. Deriada (UP Iloilo), German V. Gervacio (MSU-IIT), Steven Patrick C. Fernandez (MSU-IIT), Macario Tiu (Ateneo de Zamboanga), Ralph Semino Galan (UST), and Christine Godinez-Ortega (MSU-IIT).

The awarding ceremony was highlighted by the launching of the 15th INWW Proceedings, 'About Us' edited by Prof. Christine Godinez-Ortega and the Special Issue of the Mindanao Forum which combines the keynote lectures from Lumbera to Enriquez edited by Christine Godinez-Ortega and published by MSU-IIT OVCRE.

Sunday, June 7, 2009

The 16th Iligan National Writers Workshop Closes

Launches and Prizes: The 16th Iligan National Writers Workshop
by Steven Patrick P.C. Fernandez

The 16th edition of the Iligan National Writers Workshop wrapped up its sessions last May 29 in Iligan City.

Sixteen fellows went through the experience of having their works scrutinized in the INWW held at the Elena Tower Inn in Iligan City. From May 25 to 29, the panel and the fellows praised or panned poems, short stories, and a play hoping to hone skills and invigorate Philippine writing with new talents and insights.

The Iligan workshop, one of three institutionalized in the country, culminated with the Jimmy Y. Balacuit Sr. Awards to the most promising works.

The INWW distinguishes itself from the other workshops because it has repositioned regional literature from the fringes to the mainstream. This workshop draws participants from across cultures ensuring equal representations from Luzon, the Visayas, and Mindanao. A bursary, too, from the Manuel E. Buenafe family prescribes that the 16th fellow be a Muslim or a lumad.

The scheme for a multi-lingual and multi-cultural workshop identifies the Iligan writeshop. Distinguishing the workshop, too, is the meticulous way proceedings are documented and published so that a run of the process of writing, criticism, and rewriting is kept for scholars to pore through. The Iligan workshop is the only workshop in the country that publishes its critiquing process.

This year, the INWW launched About Us, proceedings from last year’s workshop, and the Mindanao Forum (both edited by Godinez-Ortega), that anthologizes all fifteen keynote speeches from the start of the INWW in 1994. The speeches include those of National Artist Bien Lumbera, Cirilo Bautista, Ric de Ungria, Gemino Abad, Ophelia Alcantara-Dimalanta , Erlinda Alburo, Merle Alunan, Chari Lucero, Isagani Cruz, Deriada, Bautista, and those names that matter in contemporary Philippine Literature.

One other distinction: the INWW has initiated the practice to let former fellows who have made names in Philippine Literature deliver the keynote address during the opening program. This year, poet-critic Ralph Semino Galan delivered the address joining other alumni fellows who previously addressed past openings: Charlson Ong, Vicente Garcia Groyon III, Michael U. Obenieta, and Rebecca Anonuevo.

Tradition, too, calls for a performance of a literary work by the MSU-IIT Integrated Performing Arts Guild (IPAG), and this year, IPAG transcreated Godinez-Ortega’ s poem “Camp Bushra on Inquirer Page One” in a mix of dance, drama, film, and performance art.

The merry mix of languages and genres brought together writers-critics- scholars who are well established in their language turfs. Joining Deriada and Galan were Tony Enriquez, German Gervacio, Victor Sugbo, Mac Tiu, Alunan, Lucero, Godinez-Ortega, An Lim, and this writer.

The INWW awards are named after the late Jimmy Y. Balacuit Sr. who, as Vice Chancellor for Research and Extension, adopted the management of this workshop to anchor a writing program within the vision of the MSU-IIT. In his memory, his family has endowed cash prizes to the most promising writers in all genres awarded yearly by his wife Prof. Rosalinda C. Balacuit.

The 2009 Jimmy Y. Balacuit Sr. winners are:

Poetry FIRST PRIZE
Labyog / Sirkiro / Ang Pagpaabot sa Paglipot sa Aninipot
CINDY A. VELASQUEZ (Cebuano)

SECOND PRIZE
Balud / Ayaw Pagpudla an Tuog / Bump Cars
PHIL HAROLD MERCURIO (Waray)

THIRD PRIZE
Mga Dalan / Duyan-duyan / Iihapon Ko
JHONIL C. BAJADO (Waray)

Fiction
FIRST PRIZES
“The Order of Things”
GABRIEL P. MERCADO (English)

“Kataw”
MA. FE DE GUIA (Filipino)

SECOND PRIZE
“Alunsina’s Sky”
TIMOTHY JAMES M. DIMACALI (English)

Monday, June 1, 2009

The 16th Iligan National Writers Workshop Opens

The 16th Iligan National Writers Workshop opens at 9 a.m., May 25, at the MSU-IIT Mini Theatre. Works in poetry, fiction, and drama in English and our regional languages by 16 fellows from around the country will be read and discussed by a distingushed panel of some of the most respected writers in Philippine Literature.

The Iligan workshop has set the tradition of publishing its proceedings and of inviting alumni fellows to give the keynote address. This year's keynote address will be given by poet-critic Ralph Semino Galan, alumnus of the 4th workshop 12 years ago.

This year's workshop will be highlighted by the launch of About Us (Christine Godinez-Ortega, ed.) and a compilation of all the keynote addresses (Mindanao Forum, 2009) since the workshop first opened in 1994. (The workshop was organized through the efforts and visions of workshop director Godinez-Ortega, Jaime An Lim, and Cirilo Bautista).

The workshop too pays tribute to the late poet-biologist Ed Ortega in afternoon ceremonies during the program's first day.

The Integrated Performing Arts Guild (IPAG) performs a multi-media transcreation of Godinez-Ortega' s poem "Camp Bushra's Mosque on Inquirer Page One." (direction and music: Steven P.C. Fernandez, choreography: Kenn Erwin Velasquez, and installation art by the IPAG Creative Collective).

The Workshop is one of 3 institutionalized writing programs of the National Commission for Culture and the Art (NCCA). Partners of the NCCA are the Mindanao Creative Writers Group, Inc., the MSU-Iligan Institute of Technology, and the MSU-IIT Office of Multi-Media Information and Dissemination Unit Office of the Vice Chancellor for Research and Extension.